BEAST NEWS

Back to Newsroom
MAY 15, 2012

Beast Editor Jim Ulbrich for Miracle-Grow Campaign

New York, NY – You could say that there are two types of people in the world: those who can plant and those who can’t. Miracle-Gro’s latest campaign features the many types of gardening underdogs, their planting plights and how “everyone can grow with Miracle-Gro.”

This campaign called for a mash up of technical and creative skills and Beast New York Editor Jim Ulbrich was the perfect man for the job. “I’ve had the opportunity to work on all genres throughout my career and this was a “mixed bag of editing,” which made it both challenging and fun.”  The spot’s concept combines comedy and ecological calamity, which needed a certain approach in the editing process and Jim pulled many trades from his tool belt to complete the project: comedy dialogue, physical comedy and to some extent visual storytelling. “The agency (Dentsu America) liked how I structured the spots by cutting back and forth between the characters to establish passage of time which made the spots a bit more playful.”

The spot’s sort of slapstick approach to universally shared gardening woes will surely awaken the green thumb in all of us just in time for spring.  The fun part about the campaign is picking out which type of planter you are: plant killer, first timer, etc. Jim is proud to be a part of the campaign. “This is a smart campaign that seems to break out of the mold of everything else in the category while retaining messaging in a fun way. If I were to categorize myself as one of the Miracle-Gro characters it would be the “Absentee Plant Parent.”  

MAY 15, 2012

Beast Editor Jim Ulbrich for Miracle-Grow Campaign

New York, NY – You could say that there are two types of people in the world: those who can plant and those who can’t. Miracle-Gro’s latest campaign features the many types of gardening underdogs, their planting plights and how “everyone can grow with Miracle-Gro.”This campaign called for a mash up of technical and creative skills and Beast New York Editor Jim Ulbrich was the perfect man for the job. “I’ve had the opportunity to work on all genres throughout my career and this was a “mixed bag of editing,” which made it both challenging and fun.”  The spot’s concept combines comedy and ecological calamity, which needed a certain approach in the editing process and Jim pulled many trades from his tool belt to complete the project: comedy dialogue, physical comedy and to some extent visual storytelling. “The agency (Dentsu America) liked how I structured the spots by cutting back and forth ...

View full story >

Back to Newsroom
MAY 1, 2012

Saturday Night Live spoofs Old Navy: Bee Bots!

Los Angeles, CA – Editor David Blackburn has cut numerous musically driven and bright colored spots for Old Navy’s spring and summer campaigns, but none caught the attention of the popular comedy show Saturday Night Live, until comedian Andy Samberg got ahold of  “Old Navy Presents: Bee Bots!”

The spot reunites actors Mayim Bialik and Joey Lawrence from the popular, 90s teen sitcom Blossom – now over a decade later they’re back together pedaling bold and adorable Old Navy fashion.

Samberg, dressed like Bialik, introduced himself as Blossom star and Jewish Strawberry Shortcake, Mayim Bialik.  Bialik enjoyed the joke and remarked on her official Twitter Page, “andy samberg played me in a parody of my old navy commercial on SNL sat night. On passover!? and flat-chested no less!? the horror!! LOL. so flattered!”

Blackburn is also more than happy to be a part of the spoof, “SNL is good at staying current on popular culture and often sets the tone for trending topics.  I’m excited to be considered a part of something popular.”

MAY 1, 2012 Back To Top

Saturday Night Live spoofs Old Navy: Bee Bots!

Story Image FPO

Los Angeles, CA – Editor David Blackburn has cut numerous musically driven and bright colored spots for Old Navy’s spring and summer campaigns, but none caught the attention of the popular comedy show Saturday Night Live, until comedian Andy Samberg got ahold of  “Old Navy Presents: Bee Bots!”

The spot reunites actors Mayim Bialik and Joey Lawrence from the popular, 90s teen sitcom Blossom – now over a decade later they’re back together pedaling bold and adorable Old Navy fashion.

Samberg, dressed like Bialik, introduced himself as Blossom star and Jewish Strawberry Shortcake, Mayim Bialik.  Bialik enjoyed the joke and remarked on her official Twitter Page, “andy samberg played me in a parody of my old navy commercial on SNL sat night. On passover!? and flat-chested no less!? the horror!! LOL. so flattered!”

Blackburn is also more than happy to be a part of the spoof, “SNL is good at staying ...

View full story >

Back to Newsroom
APR 30, 2012

2012 AICE Nominations

Los Angeles, CA – The 2012 AICE awards are fast approaching and the finalists have been unveiled. Beast earned three top spots and the finalists include: editor Charlie Lee in L.A. For Mitsubishi's "Welcome to the New Normal" in the Alternative Media category; Chris Chynoweth for GMC's "Geocoaching" in Best of Detroit; and Doug Walker for NCAA's "Dumb Jock" in Best of San Francisco.

In the heart of the corn-belt lies Normal Illinois; a quiet, unsuspecting town overflowing with heartwarming clichés, hard working individuals and visions of the future. The people of Normal stand firm in their belief that a successful community is one that embraces modernism and is aware of their ecological footprint. In “Welcome to the New Normal,” Mitsubishi outfits the obliging townspeople with the all-new Mitsubishi i, the most affordable electric car in America.

Beast Los Angeles editor Charlie Lee felt privileged to cut the spot, “It captures a genuine and charming sentiment that I like to be associated with.” Charlie spoke of the need to accurately portray the simple and sincere characters of Normal. “It was important to get out of the way and let the characters take us on their journey.  There were tough decisions to be made in cutting down the footage, of course, but the agency, the director and I, trusted in each other’s shared goal and the process was a very positive one. The edit became a confluence of ideas that left everyone with a smile on their face and a sweet spot in their pocket.” The project was another in Charlie’s continuing relationship with director Matt Ogens, but was his first collaboration with 180LA.

Charlie is excited and humbled by the AICE nomination, “I’m thankful to Matt and 180 for the opportunity.  It was great fun and I’m glad that Normal’s message is reaching others.  This couldn’t have happened to a more deserving spot.”

APR 30, 2012 Back To Top

2012 AICE Nominations

Los Angeles, CA – The 2012 AICE awards are fast approaching and the finalists have been unveiled. Beast earned three top spots and the finalists include: editor Charlie Lee in L.A. For Mitsubishi's "Welcome to the New Normal" in the Alternative Media category; Chris Chynoweth for GMC's "Geocoaching" in Best of Detroit; and Doug Walker for NCAA's "Dumb Jock" in Best of San Francisco.

In the heart of the corn-belt lies Normal Illinois; a quiet, unsuspecting town overflowing with heartwarming clichés, hard working individuals and visions of the future. The people of Normal stand firm in their belief that a successful community is one that embraces modernism and is aware of their ecological footprint. In “Welcome to the New Normal,” Mitsubishi outfits the obliging townspeople with the all-new Mitsubishi i, the most affordable electric car in America. Beast Los Angeles editor Charlie Lee felt privileged to cut the spot, “It captures a genuine and ...

View full story >

Back to Newsroom
APR 26, 2012

Jerry Sukys Joins Beast Los Angeles as Executive Producer

Santa Monica, – April 26, 2012 – Beast, one of the nation’s top editorial houses and a subsidiary of Deluxe Entertainment Services Group Inc., announced today the addition of executive producer Jerry Sukys to its Los Angeles facility. Sukys joins Beast from a seven-year run as executive producer at Cosmo Street Editorial, where he was responsible for production and cultivating client relationships. Some of his previous clients include: Saatchi&Saatchi, Mendelsohn Zien, Publicis Hal Riner SF, Crispin Porter & Bogusky, David & Goliath and 72 and Sunny.

"Beast feels very fortunate to have Jerry’s enthusiasm on-board,” said Beast COO Valerie Petrusson. “Jerry brings a wealth of industry contacts and a wide knowledge of advertising to Beast.”

“Jerry’s firm handshake and easy-going attitude fit Beast’s culture very well,” added Beast LA editor Charlie Lee. “His genuine attitude will be a catalyst for Beast’s continued success.”

Sukys light-heartedly admits he fell into the industry by way of an old friend
and began his career path as a production assistant, working his way up through the ranks to producer and, eventually, executive producer status. “I didn’t go to film school. I learned from the bottom up and I keep learning every day,” Sukys explained. Sukys has enjoyed producing campaigns for both national and international accounts, including Nike, BMW, Coca Cola, Sprite, Ford, Acura, Chrysler, Merill Lynch, Axa Financial McDonalds and Burger king.

“I love being at Beast,” said Sukys. “The roster is first-rate, the talent is impeccable and I look forward to this exciting opportunity.”

APR 26, 2012 Back To Top

Jerry Sukys Joins Beast Los Angeles as Executive Producer

Story Image FPO

Santa Monica, – April 26, 2012 – Beast, one of the nation’s top editorial houses and a subsidiary of Deluxe Entertainment Services Group Inc., announced today the addition of executive producer Jerry Sukys to its Los Angeles facility. Sukys joins Beast from a seven-year run as executive producer at Cosmo Street Editorial, where he was responsible for production and cultivating client relationships. Some of his previous clients include: Saatchi&Saatchi, Mendelsohn Zien, Publicis Hal Riner SF, Crispin Porter & Bogusky, David & Goliath and 72 and Sunny.

"Beast feels very fortunate to have Jerry’s enthusiasm on-board,” said Beast COO Valerie Petrusson. “Jerry brings a wealth of industry contacts and a wide knowledge of advertising to Beast.”“Jerry’s firm handshake and easy-going attitude fit Beast’s culture very well,” added Beast LA editor Charlie Lee. “His genuine attitude will be a ...

View full story >

Back to Newsroom
MAR 13, 2012

Heartless Bastards and Beast Come Together for "Parted Ways"

Austin, TX – Beast recently cut a new music video, "Parted Ways," for Austin-based rock band Heartless Bastards, whose latest album “Arrow” was released on February 14 on Partisan Records.

The potentially NSFW video featuring figures with comically large heads and bare breasts painted as colossal eyes. Austin filmmakers Ben Steinbauer and Berndt Mader shot “Parted Ways" using the backdrop of nearby Bastrop State Park.

Editor Kevin Garcia, who developed a strong rapport with Steinbauer on previous projects such as a PSA about kids and sex, was tapped to cut the video and worked closely with the directors during the editorial process. “It came together really fast, offers Garcia. “The footage was truly stunning. The landscape of the burnt out forest was very dramatic and the “faces” were so bizarre in that context that there are moments where the faces became characters with emotions and weren't just naked bodies. So we focused on those moments to convey how lost and lonely this character is, while highlighting the bizarre and sensual aspects. I showed Ben and Berndt the first cut and they were thrilled. We made a few tweaks and it was done!”

Though things went smoothly during production and post, the real challenge was dealing with the nudity in the video. With color grading almost complete, a decision had to be made whether to create safe versions of the video for music video channels and YouTube. In the end, an executive decision was made to keep the video as is and find an alternative way to air it, which came in the form of a partnership with IFC.com where the video premiered on February 28.

The project was freeing not only for the actors in the video, but for the Beast team as well. “From my perspective, it was a great reminder of how much fun the process can be,” comments Beast executive producer Mary Ellen Farrar. “Kevin was like a kid on a playground and poof, out came a great video!”

Garcia echoed Farrar's sentiments. “We were all on the same page creatively and it was more fun than work. Occasionally it's fun to put something explicit together and not play it safe. Art wins!”

MAR 13, 2012 Back To Top

Heartless Bastards and Beast Come Together for "Parted Ways"

Story Image FPO

Austin, TX – Beast recently cut a new music video, "Parted Ways," for Austin-based rock band Heartless Bastards, whose latest album “Arrow” was released on February 14 on Partisan Records.

The potentially NSFW video featuring figures with comically large heads and bare breasts painted as colossal eyes. Austin filmmakers Ben Steinbauer and Berndt Mader shot “Parted Ways" using the backdrop of nearby Bastrop State Park.

Editor Kevin Garcia, who developed a strong rapport with Steinbauer on previous projects such as a PSA about kids and sex, was tapped to cut the video and worked closely with the directors during the editorial process. “It came together really fast, offers Garcia. “The footage was truly stunning. The landscape of the burnt out forest was very dramatic and the “faces” were so bizarre in that context that there are moments where the faces became characters with emotions and weren't just naked bodies. So we focused ...

View full story >

Back to Newsroom
MAR 1, 2012

Beast Edits Groundbreaking Video for OK Go

San Francisco, CA – Beast, one of the nation’s top editorial houses and a subsidiary of Deluxe Entertainment Services Group Inc., has edited a groundbreaking new music video for rock band OK Go. Renowned for their offbeat and often highly intricate videos, their new video for “Needing/Getting” raises the bar even higher.

Made in partnership with Chevrolet, the video features the band driving a Chevy Sonic outfitted with retractable pneumatic arms designed to play a musical obstacle course filled with over 1,000 instruments set up over two miles of desert outside Los Angeles.  The band recorded a special version of “Needing/Getting,” singing as they played the instrument array with the car.

Beast San Francisco editor Doug Walker was tasked with cutting the video, which was far from a straightforward process. “All jobs have inherent challenges, but this one had them from frame one,” says Walker. “It was important to edit the video to the beat because the set was built for the car to play the song. It was clear that each scene had to be carefully selected and retimed for things to work properly.”

Lead singer and co-director Damian Kulash Jr. echoed Walker’s sentiments. “Everything about this type of project is a challenge,” offers Kulash. “That's the whole point, really. It took months of trial and error (and a heavy dose of science) in warehouses outside L.A., banging on stuff, scraping stuff, blowing through pipes and hoses, trying to figure out the resonances of tubes and tanks and barrels, and so forth. And of course, just figuring out the route was a huge project, because there were so many variables.”

Walker worked closely with Kulash and co-director Brian L. Perkins on the edit. “The room was full of strong opinions, yet there was amazing collaboration with everyone involved,” offers Walker. “Damian is extremely smart and obviously understands music well and Brian’s planning helped to make this video a reality. For me, it was important to understand and execute their visions, while still retaining my view as well. It was truly one of the most intelligent and fun projects I’ve even been involved with.”

Kulash enjoyed working with Beast as well. “Doug and his staff at Beast were amazing,” says Kulash. “They really understood the spirit of the piece: we aren't interested in slick filmmaking or sexy editing tricks, but rather in showing people what it was like to be there, and helping the audience viscerally understand the full course as a giant recording session. Watching the world's reaction to it has been incredibly satisfying.”

In addition to cutting the video, Walker worked with fellow Beast editor Brian Lagerhausen on “Stunt Anthem,” a spot from Chevrolet’s “Let’s Do This” campaign for the Chevy Sonic which aired during Super Bowl XLVI.

MAR 1, 2012 Back To Top

Beast Edits Groundbreaking Video for OK Go

Story Image FPO

San Francisco, CA – Beast, one of the nation’s top editorial houses and a subsidiary of Deluxe Entertainment Services Group Inc., has edited a groundbreaking new music video for rock band OK Go. Renowned for their offbeat and often highly intricate videos, their new video for “Needing/Getting” raises the bar even higher.

Made in partnership with Chevrolet, the video features the band driving a Chevy Sonic outfitted with retractable pneumatic arms designed to play a musical obstacle course filled with over 1,000 instruments set up over two miles of desert outside Los Angeles.  The band recorded a special version of “Needing/Getting,” singing as they played the instrument array with the car. Beast San Francisco editor Doug Walker was tasked with cutting the video, which was far from a straightforward process. “All jobs have inherent challenges, but this one had them from frame one,” says Walker. “It was ...

View full story >

Back to Newsroom
JAN 23, 2012

Morgan Bradley Edits PSA for 100 Club of Chicago

Chicago, IL – Beast Chicago recently completed work on a PSA for the 100 Club of Chicago, which helps the families of first responders lost in the line of duty. Beast editor Morgan Bradley collaborated with director Jeffrey DeChausse, and creative team Mark Mitten, Jim Schmidt and Joe Stuart of Downtown Partners Chicago on the piece.

Bradley recalled how sad circumstances put a rush on the project. "The project was initially more flexible time-wise, but after a policeman was killed just after Christmas, the organization wanted to move quickly to release the PSA. At the last minute, every local Chicago news stations decided to run the story and air the PSA on the 5:00 PM news. At 4:45 PM we were sending the spot to the stations and at 5:00 PM we were watching it live on air."

Working on a project where celebrities come together for a cause was an exciting experience for Bradley. "This project was special from the very beginning," offered Bradley. "The 100 Club is a great cause, plus I really admire these creatives and always love collaborating with them."

Editor: Morgan Bradley
Producer: Kendall Fash
Exec Producer: Melissa Thornley
Director: Jeffrey DeChausse
Agency: Downtown Partners Chicago

JAN 23, 2012 Back To Top

Morgan Bradley Edits PSA for 100 Club of Chicago

Story Image FPO

Chicago, IL – Beast Chicago recently completed work on a PSA for the 100 Club of Chicago, which helps the families of first responders lost in the line of duty. Beast editor Morgan Bradley collaborated with director Jeffrey DeChausse, and creative team Mark Mitten, Jim Schmidt and Joe Stuart of Downtown Partners Chicago on the piece.

Bradley recalled how sad circumstances put a rush on the project. "The project was initially more flexible time-wise, but after a policeman was killed just after Christmas, the organization wanted to move quickly to release the PSA. At the last minute, every local Chicago news stations decided to run the story and air the PSA on the 5:00 PM news. At 4:45 PM we were sending the spot to the stations and at 5:00 PM we were watching it live on air."Working on a project where celebrities come together for a cause was an exciting experience for Bradley. "This project was special from the very beginning," offered Bradley. "The 100 Club is a great ...

View full story >

Back to Newsroom
JAN 5, 2012

Beast Edits and Directs a Six-Week Viral Campaign for Western Union

Los Angeles, CA – Beast, one of the nation's top editorial houses and a subsidiary of Deluxe Entertainment Services Group Inc., has completed directing and editorial work for Western Union, via agency 180 Amsterdam, to promote World of Betters, a six-week viral campaign that asks the question "what would you do with $1,000 to make someone's day better?" Western Union partnered with global mega stars and music icons such as Alicia Keys, John Legend, K'naan, Sunidhi Chauhan and Pitbull to host live 'better' events around the world to spread a little happiness across the world and show how Western Union moves money for better.

A massive undertaking, the six-week campaign visited New York, Mumbai, Paris, Johannesburg and Miami. Each celebrity hosted a livestream in a different city. Talented Beast Los Angeles editor Igor Kovalik traveled with the production and not only edited all of the video packages for the livestreams, but also directed all of the 60-minute livestreams, which were fraught with technical and logistical hurdles.

In addition to the ever-present time constraints of the production, Kovalik took on a number of challenges. "Every location presented its own set of obstacles," said Kovalik. "Depending on where we were, we had varying lengths of time to scout locations, shoot b-roll and prep for the livestream. To accomplish all of this, I shot and/or directed the b-roll, which allowed me to go back to the hotel room after the shoot and hit the ground running; I could go right to the best pieces immediately and not waste time getting to know the footage first. I can definitely see editors being more engaged and taking on more of this kind of creative role as these types of viral campaigns become more common."

Kovalik enjoyed a great rapport with the creatives at 180 Amsterdam,which included Dean Maryon, Edward Ryder, Stephanie Oakley and Bryan Stewart.

The campaign has generated many touching moments. One of the most poignant took place during the New York livestream. Singer Alicia Keys surprised students onstage at her old high school, the Professional Performing Arts School during their beautiful rendition of her hit "Empire State of Mind." Her appearance electrified the students in attendance as she encouraged them to "continue to learn as much as you can learn and give back."

Rapper Pitbull's livestream in Miami took place on December 17, 2011, which marked the last stop in the campaign. Highlights from all of the livestreams can be viewed on http://www.worldofbetters.com/events/.

Credits

Client: Western Union

Agency: 180 Amsterdam

Al Moseley - Executive Creative Director
Dean Maryon - Creative Director
Bryan  Stewart - Creative
Ed Ryder - Creative
Matthew Steenburg - Digital Designer
Jonathan Conaty - User Experience Director
Stephen Corlett  - Managing Director
Cristiana Spataru - Account Director
Jim O'Regan - Account Manager
Alexandra Ronca - Account Executive
Susan Cook - Head of Production
Stephanie Oakley - Senior Producer
Eline Bakker - Producer
Anna Stolyarova - Senior Digital Producer
Tamara Mahoney - Digital Producer

Lotte de Vroe - Project Manager
Aga Kwiatkowska - Project Manager
Chris Barrand - Head of Business Affairs
Madelon Pol - Business Affairs
Julien Maingois - Additional Animator / Editor
Fiona Fuchs - Additional Editor
Adrian  Murray - Additional Editor Assistant
Claire Ford - Additional Post Producer

Production/Post: Beast Editorial
Igor Kovalik - Director/Editor







JAN 5, 2012 Back To Top

Beast Edits and Directs a Six-Week Viral Campaign for Western Union

Story Image FPO

Los Angeles, CA – Beast, one of the nation's top editorial houses and a subsidiary of Deluxe Entertainment Services Group Inc., has completed directing and editorial work for Western Union, via agency 180 Amsterdam, to promote World of Betters, a six-week viral campaign that asks the question "what would you do with $1,000 to make someone's day better?" Western Union partnered with global mega stars and music icons such as Alicia Keys, John Legend, K'naan, Sunidhi Chauhan and Pitbull to host live 'better' events around the world to spread a little happiness across the world and show how Western Union moves money for better.A massive undertaking, the six-week campaign visited New York, Mumbai, Paris, Johannesburg and Miami. Each celebrity hosted a livestream in a different city. Talented Beast Los Angeles editor Igor Kovalik traveled with the production and not only edited all of the video packages for the livestreams, but also directed all of the 60-minute livestreams, which ...

View full story >

Back to Newsroom
DEC 28, 2011

Adam Svatek Helps Walmart Get "Stuck" with a Commercial Win

Los Angeles, CA – Communication Arts recently released their Advertising Annual 2011 and Walmart's amusing commercial "Stuck," from The Martin Agency, was selected as one of winning spots in their Television Commercials category.

Beast Los Angeles editor Adam Svatek edited the spot from the popular "conveyor belt" campaign. Editorially, the emphasis on the campaign has been to keep things simple and this commercial was no different. Says Svatek, "The idea structurally was to create a riddle from the items coming down the conveyor belt with the last, out of context item leaving the audience wondering 'What's the saw on the conveyor belt for?' The challenge was to leave the audience laughing at the end."

The laughs were achieved through a combination of awkward pauses, clever dialogue, improv, physical humor, simple out takes, anything that could push the original script. "The overall goal was to give the campaign a signature branding that the audience would identify with and leave them smiling," offered Svatek. "We kept the campaign fresh and challenging on the editorial side through constant collaboration with the agency and production companies. It wouldn't be uncommon for the script to be re-written a day before the shoot or even on the day of the shoot. It's the collaborative spirit and the desire to find new and entertaining ways to tell a story that I love most about advertising."

DEC 28, 2011 Back To Top

Adam Svatek Helps Walmart Get "Stuck" with a Commercial Win

Story Image FPO

Los Angeles, CA – Communication Arts recently released their Advertising Annual 2011 and Walmart's amusing commercial "Stuck," from The Martin Agency, was selected as one of winning spots in their Television Commercials category.

Beast Los Angeles editor Adam Svatek edited the spot from the popular "conveyor belt" campaign. Editorially, the emphasis on the campaign has been to keep things simple and this commercial was no different. Says Svatek, "The idea structurally was to create a riddle from the items coming down the conveyor belt with the last, out of context item leaving the audience wondering 'What's the saw on the conveyor belt for?' The challenge was to leave the audience laughing at the end."

The laughs were achieved through a combination of awkward pauses, clever dialogue, improv, physical humor, simple out takes, anything that could push the original script. "The overall goal was to give the campaign a signature branding that the audience would identify with ...

View full story >

Beast and the Beast logo are service marks of Deluxe Entertainment Services Group, Inc.  © 2012 Deluxe Entertainment Services Group, Inc. All rights reserved.
Privacy |  Terms of Use |  Terms and Conditions